One of the more livelier, spirited and good-natured docs at this year’s SXSW film festival, Some Assembly Required features teams of middle school kids from around the country competing in the National Toy Competition (founded by executive producer and former astronaut Sally Ride). Think Spellbound, but with a little less of a personal connection to the kids involved. Basically, schools all over the United States gather up a set of kids who break into teams and brainstorm ideas for new toys or games. Those ideas are then fleshed out and pitched to the toy competition. Roughly, we’re looking at around 400 teams to start out with; a number which is eventually cut down to 50 — and it’s those 50 teams who must build their toy or game (for no more than $150) before flying to San Diego to present their baby to a group of judges.

The film follows six teams from schools in Saddle Brook, New Jersey, Brighton, Michigan, Harlem, New York, West Hartford, Connecticut and Washington, D.C. Early on, we watch as each class breaks up into teams to conceptualize different ideas. If it’s a board game, what kind of board game? What color? How big are the pieces? What’s the shape of the board? The fascinating part of this process was in watching these kids try to dissect what other kids (of the same age) enjoy. Not only is it a wicked fun activity for kids, but it also teaches them to think outside the box at a very young age. But this isn’t some birthday party activity — it’s a national competition, and it doesn’t take long for the drama to kick in.

Continue reading SXSW Review: Some Assembly Required

We love to do the whole “embed” thing where YouTube trailers are concerned, but since this promo clip for the upcoming horror flick Train has some harsh violence, sweaty sexuality, and two or four bare boobies, we’ll just share the link — and then offer a silly reminder that this trailer is not, as they say, work-safe. (Unless you make horror movies for a living, in which case I’d say this clip is perfectly appropriate. Invite your boss into your office to watch it.)

When we last discussed this project, we were hearing from writer/director Gideon Raff that the flick is technically not a remake of Terror Train, but just a horror flick with a pretty similar plot. I could care less, frankly, if it’s a remake or not, but I can say that I’m slightly impressed with the ferocity found in the trailer. Basically it looks like Hostel on a creepy old train, and I do believe that could make for a fairly diverting way to spend 91 minutes. (Or the flick could suck raw eggs, but your recent remake alternatives include Prom Night, April Fools Day and Shutter, so maybe this one looks half-decent by default.)

The Millennium / Nu Image item stars Thora Birch, Gideon Emery and Derek Magyar. No word yet on who’ll be distributing the flick, but we’ll let you know new stuff when we know new stuff.

Ask any horror fan “of a certain age” to quote some lines from the infamously unadored horror spoof Student Bodies and you’ll no doubt get a dozen different responses: “I’m gonna kill the kid with the gum!” // “Did you hang up?” // “No, I just said click“, and, of course, “Horsehead bookends!!”

Now, Student Bodies is noteworthy for a variety of strange reasons: It was written and semi-directed by one Mickey Rose, a former writing partner of Woody Allen’s who vanished from the movie biz right around 1981. (The year Student Bodies was released, oddly enough.) One of my favorite comedy directors (the late Michael Ritchie) had his name taken off the film and replaced with the Alan Smithee moniker. The flick died a quick death at the box office — perhaps because the now-cemented conventions, cliches, and tropes of the slasher genre weren’t quite stale enough back in 1981. But Student Bodies wanted to be the slasher fan’s answer to Airplane! – and this was about twenty years before Scary Movie hit the scene.

Continue reading Fan Rant: ‘Student Bodies’ to Hit DVD! Paramount Obscurities Unleashed!!

Are films political? Do they fall into left-wing and right-wing camps? I would imagine that not all films have an agenda. Some films can be considered “great uniters,” in that they bring together agreeing audiences from all over, films like the $200 million hits I Am Legend (264 screens) and National Treasure: Book of Secrets (177 screens) or a critical favorite like There Will Be Blood (339 screens) that has pleased nearly everyone who has seen it. Of course, There Will Be Blood is about a snaky, sinister, blustery oil baron willing to sacrifice his family, country and humanity for the allure of black gold, which may or may not have a little something to do with current events. (Not to mention that director Paul Thomas Anderson dropped the word “Oil” from the title of the source novel and replaced it with the word “Blood.”)

In recent years it has been determined that film critics are a liberal bunch, educated, well-read men and women of letters, who can see and comprehend the human condition in films from different cultures all over the world. Or, they’re sometimes known as pompous, ponderous, pretentious, conceited, snooty know-it-alls, lacking in good old-fashioned horse sense. “Why can’t you just enjoy the movie,” is a question very often asked of critics. Rambo (201 screens) is a fascinating case. It’s impressively violent, but very grim and not much fun. Rambo debuted and reigned during the Reagan era (Rambo: First Blood Part II grossed three times the amount of the new film, even with 1985 ticket prices). Bringing him back in a decidedly different political atmosphere didn’t seem to work, though the film was screened for the press and earned a few good reviews. It’s now starting a downslide, and it’s still shy of breaking even on its $50 million budget.

Continue reading Jeffrey M. Anderson’s 400 Screens 400 Blows - Politics as Usual